The Morning News

Saturday, November 21, 2009

Currently: TMN wishes you a very good weekend equipped with interesting things to read. Thank you, as always, for reading us. http://tmne.ws/h
1 day ago

Iconography • Robert Altman’s One Long Film

Book Cover Film (theatrical and television) director Robert Altman, auteur of some 40 movies (you know what I mean, the stuff that, during what may one day be referred to as America’s Golden Age, was shown on very big screens in halls that held hundreds of people) was unarguably a titan of his chosen calling. What may be arguable is which of his films are his greatest achievements. M*A*S*H was the movie that gave Altman the opportunities and momentum to continue what may be called his directorial career. My personal favorites are his great anti-Western McCabe & Mrs. Miller and his riveting take on Raymond Chandler’s The Long Goodbye.

For many reasons that become apparent as you read former Boston Globe reporter and current Boston University mentor Mitchell Zuckoff’s splendidly well-assembled Robert Altman: The Oral Biography (Knopf), his use of an oral biographical process enlivens the larger-than-life boy from Kansas City who as a teenager during WWII became an Air Force bomber pilot. Zuckoff corrals an impressive ensemble of voices and characters, the likes of which include Meryl Streep, Warren Beatty, Tim Robbins, Julianne Moore, Paul Newman, Julie Christie, Geraldine Chaplin, Elliott Gould, Martin Scorsese, Robin Williams, Cher, Lily Tomlin, and on and on. And, incidentally, the book mirrors the quasi-cacophony (or overlapping dialogue as some describe it) of an Altman soundtrack.

Altman made amazing films, which Zuckoff’s far-reaching interviews illuminate, and by all the included accounts, he led an amazing life—and here he accepts an Academy Award for Lifetime Achievement. —Robert Birnbaum, Nov. 16, 2009
Discuss This • Tweet this • Post to Facebook • FILE UNDER: Elliott Gould, Film, Iconography, Mitchell Zuckoff, Movies, Robert Altman, WWII

Iconography • An Original Original

Book Cover Inexplicably, 27 years after passing to his glory, there are only a handful of biographies of the great American jazz pianist and composer Thelonious Monk. To paraphrase an obscure rhythm and blues tune, Monk was an original original who ranks with John Coltrane, Charles Mingus, Charlie Parker, and Miles Davis as an innovator and singular personality. As the Thelonious Records web site notes:
With the arrival [of] Thelonious Sphere Monk, modern music—let alone modern culture—simply hasn’t been the same. Recognized as one of the most inventive pianists of any musical genre, Monk achieved a startlingly original sound that even his most devoted followers have been unable to successfully imitate… His commitment to originality in all aspects of life—in fashion, in his creative use of language and economy of words, in his biting humor, even in the way he danced away from the piano—has led fans and detractors alike to call him “eccentric,” “mad,” or even “taciturn.” Consequently, Monk has become perhaps the most talked about and least understood artist in the history of jazz.
Now comes historian Robin D.G. Kelley’s Thelonious Monk: The Life and Times of an American Original (Free Press) whose decade of diligent research includes previously inaccessible Monk family archives of papers and recordings to correct the skewed and distorted conventional wisdom on Monk. From the prologue, Kelley explains:
Thelonious Monk was very much of the world, at least until mental and physical illness finally caused him to withdraw, making his world seem much smaller, self-contained, and at times impenetrable. For most of his life he remained engaged and fascinated with his surroundings. Politics, art, commerce, nature, architecture, history were not beyond his ken, and Monk was the kind of man who loved a good debate, despite stories of his inability to communicate. Fortunately, many of his close friends and family members have been willing to share their stories, most of which have never been told before in print. They reveal a startlingly different Thelonious Monk—witty, incredibly generous, intensely family-oriented, curious, critical, and brutally honest. In addition, Monk himself was frequently captured on tape telling stories, debating, or just shooting the breeze.
 —Robert Birnbaum, Nov. 2, 2009
Discuss This • Tweet this • Post to Facebook • FILE UNDER: Iconography, Jazz, Music, Robin D.G. Kelley, Thelonious Monk
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